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dc.contributor.authorGordon, Lewis
dc.date.accessioned2008-04-29T21:27:19Z
dc.date.available2008-04-29T21:27:19Z
dc.date.issued2008
dc.identifier.urihttp://jhir.library.jhu.edu/handle/1774.2/32742
dc.description.abstractThis essay argues that George Lamming’s In the Castle of My Skin offers important tropes in black existential thought that are synchronous with Frantz Fanon’s Black Skin, White Masks, but with a more detailed exploration of the concept of political complicity through his portrait of the phenomenon of slime and its correlate, the slimy individual. The author also discusses Lamming’s treatment of the Fanonian motif of colonizing notions of normative development.en_US
dc.language.isoen_USen_US
dc.publisherCenter for Africana Studiesen_US
dc.relation.ispartofseriesCenter for Africana Studies Working Papers;006
dc.subjectExistentialismen_US
dc.subjectExistentialisten_US
dc.subjectGeorge Lammingen_US
dc.titleGeorge Lamming the Existentialisten_US
dc.typeArticleen_US


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